Monday, 12 December 2016

Editing Music Video

Before we started to edit, we imported all of the clips we had filmed in the abandoned building onto Adobe Premiere Pro. At this point we haven't filmed our 'clubbing' scene yet. Once all the clips were imported we watched through them all to see which clips we liked and which ones we didn't and started to begin the editing process. 
Once we had looked through the clips and imported them all, we imported the song 'Chandelier by Madilyn Bailey' (cover) so we had it on the pc and Adobe Premiere Pro. 

Firstly, we put the over 3 minutes worth of footage of our actor dancing to the song with a long shot because it made it easier for us to then put the other clips over the top where we thought it worked best. To help with putting clips in certain places we put the music on and matched it with the first clip so she's not dancing out of time. Some of the clips we edited on top of the video, for example, was a close up of the actors feet whilst she's performing a pirouette and then edit it back out to the long shot of her pirouetting because it gave a good effect and the audience will be able to see what dance move she's performing up close.  
We decided not to change the contrast or lighting of the clips we've gotten because we felt as a group the natural lighting was enough and we liked how it looked. 

Once we decided that we had finished the dancing section of the music video and placed the clips where we wanted, we then filmed our 'clubbing' scene and uploaded it to Abode Premiere Pro. We watched through the 6 clips we managed to film of Phoebe (the actor) and discussed what parts to take from them and which bits we didn't want, this made it easier for us to then know what clips to transfer onto the music video and find a place to put them. 


The only editing we did on all of the 'clubbing' clips was cropping the bottom of clip because we wanted the effect of her looking naked but whilst filming she had a sleeveless top on so in the clips you could clearly see she had a top on, hence why we had to crop them. To do this we used the 'Crop' button under the 'Transform' tab, after clicking on these you go onto 'Effects Control' which comes up with the option of 'Scale' enabling you to zoom in or out on the clip; we zoomed inwards. 
Again, we decided not to change the lighting or add an effect to these clips because we thought the colour lights were bright enough and liked how they contrasted with the black background.                                                   

For our final bit of filming we had the same actor in the same back ground (black back drop) but instead of disco lights we've used UV paints which represents the pain and hurt she's feeling. Like the other clips we downloaded them to the computer and transferred them to Adobe Premiere Pro and together we decided where they'd fit best; some related well to the lyrics. 


After uploading the clips, cropping them down and placing them in the appropriate place where they work best, we decided that you could see too much of the hand held light on our actors face so we wanted to turn the lighting down to make the UV paint look brighter and her face darker. We did this by clicking the clip we wanted,  then on tab which is labelled 'Video Effects', then 'Colour Correction' and lastly 'Lumertri Colour', which we had to drag onto the clip and this enabled us to change the brightness to how we wanted. Too change the brightness we used 'Exposure' and 'Contrast' and fiddled around with both of the levels to get the perfect brightness for our music video.
After we changed the brightness on all of the UV paint clips, this made us want to also change the brightness on some of the disco light scenes to enhance all the different colours. This was done through the same process as before but instead of going onto 'Exposure' and 'Contrast' we went onto the 'Colour Wheels'. The colour wheel we used was 'Highlights' because we were wanting to highlight specific colours in scene, for example in this screen grab we highlighted the dark blue because this was the colour the disco light was at the time. The other people in the group and me were happy with the results of editing the clips and thought it made the music video more effective and stand out. 

Thursday, 8 December 2016

Filming Notes


This will be taken with us to the set when we go to film because we can easily look down the list and ensure that we don't miss anything important out. 

LIGHTING 



  • Disco light
EQUIPMENT
  • Cameras
  • Tripod 
  • Shoulder rig
SHOT LIST 
  • Tracking shot of the actor dancing around the set 
  • Long shot of the actor dancing 
  • Close ups 
  • Panning 
HEALTH & SAFETY 
  • Warm clothing 
  • Broom to sweep away broken class
COSTUME 
EMILY 
  • Black over-sized hoodie 
  • Skin coloured tights 
  • Black dance shorts 
  • All black shoes 
PHOEBE 


  • Off the shoulder top to give the effect of her being 'naked'

PROPS 
  • Red cloth 

Thursday, 1 December 2016

Permission Email

Permission Email 

This is the email we sent to Madilyn Bailey asking for permission to use her song. We had to go onto her YouTube channel which provided us with the email address under the caption 'Business inquiries' and we used  Sarah Weichels (sarah@sarahweichel.com). We didn't create an actual form for her to sign due to the distance of where each of us live; she lives in America and we live in the UK. This could be a disadvantage for us if she changes her mind because we don't have a proper signature from her saying we're allowed to use her song, so she has the chance to change her mind whenever she likes. The reason for us emailing for permission is to let them know that we're using their song for educational purposes and that's all because they have ownership over their songs. 

If we don't get a response from them, we'll continue to use the song for our music video. However, if they do email back saying we're not allowed to use their song then we'll have to remake our whole music video, update our blog and redo our story board. 

Wednesday, 30 November 2016

Reflecting on filming

Reflecting back on the first time filming 

Overall the first time we filmed went to plan and we got all the shots we wanted, so we won't need to go back and film at this moment in time. 

We planned to film for no longer than two hours (ended up only taking us an hour and a half) in the morning because we wanted to get the best natural lighting and this worked out well because it was a clear sunny day so the sun was shining through the windows creating good lighting and we didn't need to use any lighting sources of our own. 

The only aspect of the filming process that didn't go to plan was that we were going to use a different room in the abandoned building for our filming but before going to that room, we looked in the area that we've used for the music video and we decided we much preferred it compared to the room we were initially going to use because it was a bigger space, with less safety hazards e.g broken floorboards and glass. And the lighting was much better too. With this in mind we had to change our camera angles and develop the dance into fitting the space and coming up with ways she can interpret the dance into all the different rooms, like they do in the actual Chandelier music video. 

Friday, 25 November 2016

Copyright law

http://www.ocr.org.uk/Images/68934-unit-g324-advanced-production-guidance-document.pdf

"There are 13 multi-media briefs outlined in this unit.


 Q What does OCR state in the specification in regard to these briefs?


 All material for all tasks to be produced by the candidates with the exception of nonoriginal sound or image material used in a LIMITED way in video/radio work… For music video, permission should be sought from the artist for the use of the audio track.


 Q What does this mean for centres?


 Brief 1 Music Video Promotion Package 


OCR respects the rights of artists and labels and requires centres to ensure materials submitted for assessment are not infringing copyright law (the onus being on centres to interpret current copyright law). If centres use found audio material OCR moderators are not in a position to police such actions: it is the responsibility of centres and candidates to ensure appropriate permissions are sought. As copyright permission plays no part in the assessment criteria, candidate marks will not be automatically penalised. However, centres should be aware that they may potentially be breaching copyright law and this is at their own risk (full links to current copyright law can be found in the appendix of this document). For example, if a candidate places found audio material (accompanying their video) for download on a website homepage they create for a band as part of this brief then this would be at the centre’s and candidate’s own risk if copyright law is infringed. 


Copyright free options available for Music Video in G324:

 • Approach local bands and get permission to use their material
 • Approach unsigned bands on ‘My Space’ etc and get permission to use their material.
 • Collaborate with music department/students in your centre on the project
 • Create your own music or sound track."



Lyrics

Chandelier
Sia
*The lyrics I've highlighted give the 'hints' to what the song is about and showing what emotion the song is touching on. 



The song is a long metaphor for partying to excess and about the emptiness and pain that accompanies alcoholism and substance abuse. The lyrics relate to some of the clips we have filmed, for example, "I'm gonna live like tomorrow doesn't exist" is shown by our dancer because she's dancing around the abandoned building care free and not thinking about anything else but the dance. Another example of the lyrics inspiring our choice of clip is "Party girls don't get hurt", this helped us decide on the 'party' scene with the disco light because our actor is showing her distress and the close ups show her crying. The lyric "feel my tears as they dry" is reflected in my text when my older actress draws two blue lines (neon paint) underneath her eyes to represent the tears Sia is singing about and "sun is up i'm a mess" is shown again in the neon paint scenes when she has lots of mixed neon paint all over her face and hair to show the 'mess'. 

Analysis of the lyrics: 

"Party girls don't get hurt, can't feel anything when will i learn, i push it down, push it down." - used drugs and alcohol to hide the pain. 

"I'm the one for a good time call, phones blowing up, ringing my doorbell, i feel the love, feel the love".- she threw parties to feel appreciation from others and thought the partying and drinking would make her feel better. 

"1,2,3,1,2,3 drink".- drinks drink after drink until she's too drunk to remember anything. 


Party girls don't get hurt
Can't feel anything, when will I learn
I push it down, push it down
I'm the one "for a good time call"
Phone's blowin' up, ringin' my doorbell
I feel the love, feel the love
1, 2, 3, 1, 2, 3 drink
1, 2, 3, 1, 2, 3 drink
1, 2, 3, 1, 2, 3 drink
Throw 'em back, till I lose count
I'm gonna swing from the chandelier, from the chandelier
I'm gonna live like tomorrow doesn't exist
Like it doesn't exist
I'm gonna fly like a bird through the night, feel my tears as they dry
I'm gonna swing from the chandelier, from the chandelier
But I'm holding on for dear life, won't look down, won't open my eyes
Keep my glass full until morning light, 'cause I'm just holding on for tonight
Help me, I'm holding on for dear life, won't look down, won't open my eyes
Keep my glass full until morning light, 'cause I'm just holding on for tonight
On for tonight
Sun is up, I'm a mess
Gotta get out now, gotta run from this
Here comes the shame, here comes the shame
1, 2, 3, 1, 2, 3 drink
1, 2, 3, 1, 2, 3 drink
1, 2, 3, 1, 2, 3 drink
Throw 'em back till I lose count
I'm gonna swing from the chandelier, from the chandelier
I'm gonna live like tomorrow doesn't exist
Like it doesn't exist

I'm gonna fly like a bird through the night, feel my tears as they dry
I'm gonna swing from the chandelier, from the chandelier
But I'm holding on for dear life, won't look down, won't open my eyes
Keep my glass full until morning light, 'cause I'm just holding on for tonight
Help me, I'm holding on for dear life, won't look down, won't open my eyes
Keep my glass full until morning light, 'cause I'm just holding on for tonight
On for tonight
On for tonight
'Cause I'm just holding on for tonight
Oh, I'm just holding on for tonight
On for tonight
On for tonight
'Cause I'm just holding on for tonight
'Cause I'm just holding on for tonight
Oh, I'm just holding on for tonight
On for tonight
On for tonight